McAlister Drive's Christoph Krey |
McAlister Drive,
you could say, was heading down the wrong road for a while. The band formed in
2006, but it wasn’t until working on 2010’s “Missing Figures” that it found a
way to house pop songs in a more rustic sound that simply rang truer to singer
and front man Christoph Krey.
When Krey teamed with fiddle player Scarlet Deering and
banjo player Grace Van’t Hof, it changed McAlister Drive’s direction.
“The instrumentation brought out a different vibe. It
complemented my lyrical style and it brought my voice into a better realm,” Krey
says.
Now all eight members of McAlister Drive_ oh there are drums,
keys, and bass alongside fiddle and banjo_ can’t fit into the Coppertop for the
band’s show there Saturday. But Krey assures even stripped down_ which McAlister Drive
often does for radio appearances and other intimate shows_ the essence of the
band comes through. The music starts at 8 p.m.
“It’s pop-rock with Americana.
It lets me bring in more alt-country and folk influences into the songwriting,
which I like,” Krey says.
Krey thought “Missing Figures” would be the first small step
toward maturing the group's sound. But the E.P. generated a lot of interest in the
band, which plays throughout the Northeast and builds tours around festival
appearances.
“People wanted to hear more, and we didn’t want to give them
our first album, it just isn’t representative of what we sound like now,” Krey
says.
So the original plan to work slowly and craft a series of
four E.P.s got tossed and the band settled into Q Division studio in Somerville and made the
full-length “The Goddess” album.
Krey’s pop sensibilities_ big hooks, dramatic sweep_ come
through in songs ranging from the rambunctious “Best Dressed” to the driven “Ocean
Skip Away.” But the twang and pluck give the songs an enduring texture.
“It’s been a maturing process,” Krey says. “The band went
through puberty finally.”
“The Goddess” paved the way for McAlister Drive to earn an invite to the
prestigious Folk Alliance conference happening this year in Toronto. After that the band will tour the
South and head to the South By Southwest music conference in Austin.
There are also a bunch of shows booked around Boston and New
York City.
But Krey enjoys playing at Wachusett, saying his loyalty is
rooted in the days spent skiing the Wah as a kid.
“I like that room,” Krey says of the Coppertop. “It’s got a
nice grassroots feel to it and people check out the music. It’s not like playing at a ski resort where the
people are just out to get a drink.”
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